The Film Baby Review: A Sharp Portrait of Queer Brazilian Hustlers Adrift in the Established Order

Evoking the urban restlessness and dynamic spirit of São Paulo, director Marcelo Caetano's gripping drama zooms in on those who live on the fringes of an perpetually shifting metropolis. Fresh out of juvenile prison, 18-year-old Wellington (the actor João Pedro Mariano) stands at a pivotal juncture; left behind by his parents, the innocent young man discovers refuge in the arms of others.

On an late-night excursion with his rowdy group of queer and non-binary friends, Wellington crosses paths with Ronaldo (actor Ricardo Teodoro), a muscular, charming hustler over double his age. Shrouded in the pulsating light of a XXX cinema, their first meeting is intimate and charged, with an edge of danger. Ronaldo quickly introduces Wellington to the clandestine realm of sex work and drug dealing.

A Study of Understanding Instead of Sensationalism

Caetano depicts Wellington’s new life of crime with gentle sympathy rather than as a sensationalist cautionary tale. Now going by the name of Baby, he enters his commercial trysts with swaggering confidence and touching naivety. To his customers, Wellington lends not only his youth and his body, but also instances of tenderness.

In the hectic energy of São Paulo, overflowing with busy lanes and brightly painted facades, there’s a persistent isolation, as adrift individuals hold fast to one another for temporary happiness.

"The urban landscape are fraught with peril, yet they are also the space where they can find their own family, too."

A Complex Relationship of Affection and Power

Ronaldo is at once a romantic interest and a sheltering paternal presence to Wellington, but their connection is thrown off course by jealousy and financial instability. Dangers posed by nefarious characters in the criminal underworld pale in comparison to the fear of state surveillance and jail time, symbolized by the constant sight of police officers in the area.

Baby is especially potent as an astute portrait of the forgotten souls who have fallen through the cracks the system. The film functions as a heartfelt examination into making ends meet, found community, and the quest for identity within a demanding urban landscape.

James Anderson
James Anderson

A tech enthusiast and digital strategist with over a decade of experience in driving innovation and growth for startups and enterprises.